The paper focuses on the attributes of the polish avant-garde, especially in the modern polish theatre. In Tadeusz Kantor’s words: it is „the tradition of the destruction of tradition”. The most important and infl uential tradition in Poland – since the nineteenth century – is romanticism and its legacy. Twentieth-century artists saw it as both traditional and modern. It was a paradox of the polish avant-garde of the last century (until now). The article demonstrates how Polish theatre directors have fought with romantic aesthetics and the cultural identity it helped shape.
The sample of Polish version of this article is available here: https://tekstualia.pl/files/f62ea038/stangret_p._-_tradycja_niszczenia_tradycji.pdf